Showing posts with label theatre. Show all posts
Showing posts with label theatre. Show all posts

03 March 2007

Private Lives - reviews

Willamette Week
[NEW REVIEW] If the essence of this Noel Coward classic is a study of fanatical human behavior, Integrity Production's rendition of Private Lives has nailed it. Instead of individual actors playing the distinct characters of Amanda, Elyot, Sibyl and Victor in this over-the-top tale of lust, love, infidelity and British dandyism, director Kerry E. Sorci has opted for a game of theatrical work-up. Six actors interchangeably play the four roles, which creates interesting and hilarious (albeit slightly confusing) character interpretations that focus on the temperament and nature of the characters, instead of the idiosyncrasies of the artists. Private Lives is well performed, and despite the chaos, characters are wholly believable—give or take the occasional regression into an American accent. MIKE THELIN. Integrity Productions at Theater! Theatre!, 3430 SE Belmont St., 286-3456. 8 pm Thursdays-Saturdays, 4 pm Sundays. Closes March 18. $12-15. Thursdays are "pay what you will."

The Oregonian
Theater review Cast creatively updates Coward's 'Private Lives'
Iffy laughs - Troupe overcomes marital abuse and a tag-teaming of four roles
Thursday, March 01, 2007
RICHARD WATTENBERG
The on-again, off-again relationship of a once unhappily married but now divorced couple may be material for contemporary comedy. But when this twosome slips into physically violent behavior, it's difficult to see how, given our growing sensitivities to spousal abuse, we can still laugh.
Yet there's the magic of Noel Coward -- a magic not lost in Integrity Productions' generally fun but occasionally overburdened "Private Lives."
In this intimate 1930 comedy, which Coward wrote as a vehicle for Gertrude Lawrence and himself, we chuckle as well-to-do sophisticates Amanda Prynne and Elyot Chase literally wrestle across the floor.
"Very few people are completely normal, really, deep down in their private lives," Coward's ever-so-clever Amanda remarks.
In this neat little play, personal problems bubble away in sparkling humor. Coward was a master of style, and his glittering comedy of manners so engages us that we're unfazed by any disturbing matters.
Living up to the scintillating Gertrude Lawrence and Coward himself isn't easy, and Integrity Productions avoids the challenge by divvying up the lead roles among multiple actors. Three actresses play Amanda as well as Elyot's new wife, Sibyl, in tag-team fashion. Similarly, Elyot and Amanda's new spouse, Victor, are passed around among three actors.
This arrangement may be a little disorienting, but distinct aspects of each character are interestingly highlighted -- especially with Amanda. Kate Mura depicts an acrobatic but intriguingly mysterious Amanda; Jessica Zodrow a sweeter, playful Amanda; and Stephanie Routh an Amanda with an imperious edge.
All these comings and goings require careful choreography. Director Kerry E. Sorci oversees the transitions well, maintaining the play's flow and also intensifying the climaxes of acts II and III by integrating all six actors into the four-character action. Character-shifting and doubling can distract from the smart dialogue, but the controlled pandemonium of these crescendos translates Coward's theatrical fireworks into appealing stage antics for audiences unaccustomed to the verbal pyrotechnics of witty comedy.
Sorci tries to do too much by using the simple but elegant set and a brief mimetic prologue to call attention to how media constructs celebrity -- a motif that isn't developed enough to do anything other than clutter the production. Still, her cast gives Coward a contemporary spin.

23 February 2007

Private Lives: the revolving door

our play opened last night, and people actually laughed! so come one, come all. if you can't see the image, here are the details:
Private Lives by Noel Coward
Integrity Productions' version of the well-known play provides a new look for a new millennium. Imagine if Bertolt Brecht, Andy Warhol and Anne Bogart collaborated with Noel Coward!
Shows run Thursday, Friday, Saturday 8:00 pm and Sunday 4:00 pm. 22 Feb - 18 Mar
Tickets: $15 general admission; Student and Senior rate $12. For reservations call (503) 286-3456 or online at www.integrityproductions.org. Shows are at Theater!Theatre! 3430 SE Belmont St.

13 November 2006

the agony and ecstacy

yesterday marked the first rehearsal for "private lives", for which i was luckily cast (performance dates coming soon to a blog near you). it was 9a-12p and a rigorous exploration of impulse, cooperation and body language/cues. we all seemed pretty exhausted by the end of it (LOTS of running around). i am ashamed to say that for a few cynical moments i was remorseful that i had to go directly from that workshop to a bike move, but once i was actually on the road there was nothing but eager anticipation for Matt's Distinguished Tie Move (also known as "The Girl Next Door").
supreme kudos go to Matt for his very tall load and to Aaron who hauled a hide-a-bed couch over the Broadway Bridge. man, i feel like such a wimp sometimes!
just one more reason i love portland. hopefully i'll be able to steal some pictures soon.
usually i have moved by myself on mass transit (new york, changchun, dalian, bangkok, suratthani 1) or multiple bike trips (suratthani 2). i almost wish i could move just to enjoy the parade and find an excuse to cook for people.
after the bike move, i jumped back on my bike to head downtown just in time for the wind storm and, with shoes soaked and socks squished, headed to hang with my family. Colleen was in town from boston, and we had a grand old time together. i never notice how much more we seem to laugh than other families until we're in a public space. wouldn't have any other family in the world! they even agreed to not do presents this year. hip hip hooray!
this morning my body revolted, however. i could barely extend my legs because my calf muscles were so tight. wimps.
and now to homework.

07 April 2005

on the andaman and other noiseless ramblings

SCHOOL CLOSED
well, we have finished the school year at Suratthani School after more holidays than i thought could possibly be justifiable, poetry finals, pinatas and withdrawal symptoms.
after "Peter Pan" and "Alice in Wonderland", we were confronted with a vacuum of rehearsals. this slack was quickly taken up by the preparation of our final project, the Poetry Book. we delved into syllables and haikus, word types and cinquains, forms and concretes, letters and acrostics, and tied it all up with title and table of contents pages. the results were awe-inspiring. one student made their poetry book out of a pizza box, another created a story of the tsunami utilizing all of the required poetry forms, and there was a brilliant acrostic about unrequited love that had my eyes crying and my side splitting. suture material, anyone?
having finished these exemplary works of creative writing, i though the mattayom 1 students deserved to whack something with a big stick (isn't that a natural reaction?). so we took a few big balloons, a week's worth of old newspaper, flour and water and made some pinatas. it took much more time than i had originally alotted for the constructions, so each pinata took at least 6 hours to construct and roughly 5 minutes to destroy. but hey! candy is always a good idea.
the withdrawal symptoms, of course, were mine. i have seen some of them during vacation and have to check the temptation to sit them down and extract their life philosophies from them. next year's new teachers are lucky bastards!!! of course, at least by not teaching in thailand next year i am eschewing the arduous task of filling out pink books. no more talk about those evil, pepto-bismol (sp?) monstrosities of illogic. i'm sorry to have brought it up (but not sorry enough to have deleted mention of them before sending).

MOM AND DAD
shortly after the close of the term, mom and dad landed in bangkok. this began a three-week adventure through bangkok, ayutthaya, suratthani, ao railay in krabi, and koh tao. i will let them tell of our exploits in detail, but we had one HECK of time. my major aim was to not leave them in quite as much pain as i did last year when my father was subjected to forced marches, long hard-seat train rides and "populated" bungalows (most residents sporting 4, 6 or 8 legs). we went to ayutthaya on a bus and came back on a boat which was lovely though LONG. mom and dad both got massages at wat pho after visiting the grand palace. we recouped in suratthani before spending some quality beach time on ao railay, my favorite place in thailand so far. the parents took a day snorkelling trip that stopped on koh phi phi, and dad was especially amazed to see the extent of the damage from the tsunami. it is very much changed from our time there last year. ask him and i am sure he will oblige you with pictures. another few days in suratthani followed by our trek to koh tao. the boat was heavily populated because we travelled two days before the full moon party on koh phang-an. oy veh! needless to say, we were all happy to find ourselves on land. Jane's boyfriend, Amnat, happens to work at a dive shop/bungalow, so he arranged transport to sairee beach. dad and i took our advanced open water course which included a night dive (sting rays at night!) and a gorgeous deep dive to chumphon pinnacle (that dive was actually the original reason i talked dad into going with me!). the diving instructor was particularly fascinated with some of dad's tales of using older diving equipment (i am currently reading a great book called "stars of the sea" which tracks the evolution of diving technology, so i have a devel oping appreciationg for how far underwater equipment has come in a short time). our last day on koh tao was spent snorkelling around some of the coral gardens, so mom was illuminated with contentedness upon disembarkment from koh tao. we spent one more day in suratthani together (you can see the fabulous dress mom had tailored if you attend Rob and Jo's wedding) before they left for bangkok. i had to head in the opposite direction to malaysia to renew my tourist visa. it was the best border run ever (and how often do you hear that, really?)! i was planning to hoof the long walk into town from the border, but a janitor told me i would do no such thing, put down his broom, climbed onto his motorbike and drove me straight to the van stop. such drama. such compassion. gotta love it.

GOING WEST
more on this portion in a while (i just lost it and the derriere protesteth much at the thought of retyping all of this on such a beautiful day). in short, i have spent the last week on koh phi phi helping out as a volunteer for the coral reef cleanup on the island. there are two major projects in the area: diving/swimming shore cleanup, and business renovation and reconstruction. i've been swimming which i love and doing something i feel is important. we are pulling up oxidizing metal and suffocating plastics that might have long-lasting impact on the coral and fishlife. it's like Swimming for a Cause. we have filled up about 3 pontoons in 5 days which are then ferried to the shore and sifted for salvage metals, etc. i feel as though i have personally taken out enough bricks from the shallow corals to repave broadway, but i imagine that is slightly exaggerating. the government hasn't arranged for any relief on the island that i can discern, but there are three volunteer organizations which are active not only in this region but also on kao lak and phang-nga. if you have a few extra sawbucks lying around and care to donate to the cleanup or a reconstruction program, here are the websites:

http://www.projectaware.org/americas/english/news/tsunami.asp

06 January 2005

the annual letter (1st edition)

dearly beloved,

greetings and well-wishings during this festive time!
in true Routh tradition, this will reach you all long after you have taken down your lights and sent your tree (should you have one) to be recycled. perhaps we might all consider this a perpetuation of the holiday spirit rather than mere negligence and procrastination. hmm? what do you say to that?

as many of you know, i have spent the past nine months or so in Thailand after having lived in northern China for two years. The decision to move to Thailand was due, at least in part, to the fact that Alfy (my boyfriend) found a math teaching position in southern Thailand, and the thought of living in a beautiful Asian country with English bookstores sounded fine by me. i began my “Thai Period” in Sampran teaching English at a private Catholic school. while the vista was less than picturesque (our school was situated on the highway connecting Bangkok with Nakhon Pathom), my neighbors were quite exceptional. i refer (naturally!) to the elephant training ground and crocodile farm abutting the teachers’ dormitory. i hadn’t really lived before waking up to the sound of crocodiles slipping into a marsh or seeing an elephant pregnant with twins on my way to school. picture an elephant pregnant with twins in your mind right now, just for a second.

i moved to Suratthani in april to be closer to Alfy and to teach THEATRE at Suratthani Public School. the decision was not without difficulty. there is a community theatre in Bangkok, and taking the job in Surat meant relinquishing a juicy role in their Fringe Festival and being unavailable for a Gilbert & Sullivan (always wanted to do G&S out of silliness) production. luckily the decision to go onto greener pastures (literally and figuratively) was punctuated by a trip to new york to witness the jeff/amber union. this ceremony should be the precedent by which all marriage ceremonies should be judged - it was informal and meaningful and a galloping good time. a toast to you, pioneers in covalent love!

eight months later, we Thai residents hailing from temperate climates have had to trust that the calendar is not lying in saying that Christmas is just around the corner, because the weather certainly doesn’t recommend the fact. ten days before Christmas day, i was sunburned after kayaking on Ton Sai with two other teachers during a week break. the vacation leading up to Christmas week was shorter for me than for other teachers because Jason and i were still preparing for our school productions of "Peter Pan" and "Alice in Wonderland", performed on December 20th.

"Peter Pan" deserves its own paragraph (it actually deserves a tome, but i am unambitious). this was the most frustrating and one of the most ultimately rewarding theatrical experiences i have ever had. most of my frustrations stemmed from communication and elusive keys. i felt that, just like Alice running after the White Rabbit, Jason and i were constantly seeking information, and i was always on a quest for some key or another. we spent 5 months trying to learn what our budget was, then another month (unsuccessfully) trying to see the set storage area (we found some items during clandestine adventures, but we are sure that most set pieces are hidden in some secret underground vault lined with gold). because so many students have after-school classes, we weren't allowed to have rehearsals after class. the first few weeks after receiving the budget amount, i was told i had to buy things through the school's thai staff. i won't go into the gory details, but the initial lumber purchase was harrowing! i had never seen a cutting list so unabashedly fubared. to make matters worse, two guys went to pick up my lumber without waiting for my class to finish as i had requested, so they paid for wood that in no way resembled the list i had given with money from the play budget which they then said was unreturnable and nonrefundable. after the "lumber incident", i insisted on buying everything myself to be reimbursed by the school.

so with the purchasing issue fixed, i moved onto phase 2 of production hell, Finding Space. because there is no set storage or workspace available in the english program, i moved my flats no less than 7 times during a 6-week period. i don't even have keys for our teacher's office, much less the wood shop or stage area. our first rehearsal onstage was three days before the production, which was also the first time the whole cast had a chance to rehearse together. try putting on a production with 100 non-native english speakers in a space only available three days before the performance date with no administrative help while other teachers and administrators take your actors away from backstage without notice or mention during dress rehearsals in order to "help you". oh, and don't forget the three weeks' holiday time just before the performance with one weeks' notice. i admit to crying myself to sleep more often than not. Jerry Lesch, however did you do it year after year?

despite the enormous odds and a dismal final dress rehearsal, both "Alice" and "Peter" turned into an unprecedented hit with the parents. students remembered their lines and blocking, parents were very proud of their children, and my sets actually got a shocked intake of breath and applause the first time we flipped and changed them. my kids were WONDERFUL, and they have talked about the play a lot since. and i got wine out of the deal as a thank-you from the departmental head which replaced the vodka i had been drinking copiously prior to december 20th!

in fact, the students have been the high point of my time here. i have never looked so forward to going to class as i have this year. they are helpful and funny and very quick to pick up spoken English. during the vacation preceding the play, a number of students came to paint the sets and mark the stage.

even the naughty students are naughty in such a creative way that it takes all my strength not to chuckle when i have to say things like, "Sun, now we're making costumes today which means you can't take the yellow fabric, wrap yourself like a monk, sit in the corner and chant sutras. what if everyone did that? and Taee, you should be sewing right now not enacting an indian bridal procession, i don't care how much you loved the bollywood movie you saw last night." last week i left a class to edit their papers for five minutes only to come back to class with the lights turned off and no students in sight. it took a second of staring to see a few giggling heads poking out. i was informed that class could not continue until i found ALL of the students. one managed to cram into a cabinet, so he was the last found. the list goes on and on, and i will happily relay some of the other more interesting ones if i can ever get out from under my grading burden.

Christmas in Thailand was pretty low-key, though we had a wonderful get-together with colleagues and friends a few days before. it's just not that easy to get into the Christmas spirit while wearing shorts, planning scuba diving trips and eating watermelon and pineapple.

the great shock, of course, came on Boxing Day when a tsunami hit the Andaman Coast of Thailand. we in Suratthani felt tremors in the morning, but i only discovered the extent of the catastrophe a day later. Ton Sai, where i had gotten my sunburn only two weeks before, is unrecognizably decimated. many people spent the following week trying to determine the fates of friends and family unfortunate enough to be in the affected areas. the hospitals were maelstroms of the injured transferred from kao lak and family members hoping to find their kin alive. i am sure everyone has seen the pictures and heard the stories, so i won't add to the tales. the missing pictures remind me so much of new york after 9/11 that the last two weeks have smacked of deja vu. i hope to be of some help in the next few months but right now can't help but feel useless in the midst of inconceivable destruction.

sometime after march i plan to head back to portland for an unspecified length of time to be my brother's "best person" at rob and jo's wedding. only my brother would know to dangle the undeniable temptation of wearing a tux at a wedding in order to get me home. there is another wedding shortly thereafter, so it looks like a season in america.

enough talking about myself! i hope this letter finds all of you, and finds you well. please know that at least until april you have a place to stay in Suratthani and a tour guide at your service. with joy and affection i extend my

best wishes,
steph